戏剧批评家应具备良好的理论素质、完备的
艺术修养和丰富的舞台知识，对戏剧艺术本身应具有精细的观察力，敏锐的判断力，深切的理解力和透彻的感悟力.同时还需具有公正、坦诚、严肃、认真的批评准则，通过自己独特的批评视角，透过一般的戏剧艺术表象，挖掘出别人看不到或忽视了的戏剧艺术的深层内涵.戏剧批评的性质是一种二度创作，因此，戏剧批评家必须尊重原作的客观事实，对戏剧艺术的实际存在意义做出恰如其分的评析.戏剧批评家的主要任务是：（1）以自己卓有成效的批评，指导戏剧艺术创造者的艺术实践活动，既包括对戏剧文学的评析，也包括对舞台表演诸因素的评析，同时还要注意区分，一台戏剧演出的成功，何者应归功于原作的艺术魅力，何者应归功于演员的卓越表演.反之，对于不成功的戏剧演出，也应具体分析.（2）以自己卓有成效的批评，指导戏剧艺术的爱好者和观赏者的审美活动，对其审美情趣发挥积极的引导作用，以提高其对戏剧艺术的欣赏水平.（3）在广泛研究和实践的基础上，对戏剧艺术的发展规律做出全面总结和理论创见.戏剧批评家既应当切忌为趋炎附势而人云亦云，也应当切忌为标新立异而吹毛求疵. Theatrical criticism of responsibility, and in the long-term practice has made certain achievements professionals. Theater critics, should have a good theoretical quality, artistic accomplishments and rich sound stage knowledge,dramaticart in itself should have a detailed observation , perspicacity, deep and thorough understanding of the insights edge. At the same time need to have a fair, honest, serious, serious criticism of the criteria, by their own unique critical perspective, through the dramatic art in general appearance,tapout the others to seeLessthan or ignored the deeper meaning of the dramatic art. theatrical nature of the criticism is an ongoing creation, therefore, must respect the original drama critic of the objective reality of the dramatic art of the real meaning of the assessment made appropriately. play critical family's main tasks are: (1) to his fruitful criticism, the creator of dramatic art guide art practice, both in the assessment of dramatic literature, but also the factors for assessment of stage performances, while also note that the distinction between a Taiwan theater success, what should be attributed to the original art of charm, what actors should be attributed to the excellent performance. On the contrary, for the unsuccessful theatrical performances should also be a detailed analysis. (2) to their fruitful criticism, guidance Drama The fans and viewers of the aesthetic activity, its aesthetic taste to play an active role in the guidance to enhance their appreciation of dramatic art. (3) in a wide range of research and practice, based on the laws of development of dramatic art to make a comprehensive summary and theoretical imagination. theater critics should not only avoid theparrotto flatter those in authority should also avoid the fault-finding for the unconventional.